the great score

The material for the great score was worked on in seven cities. The material was created at the current location and was presented under the use of the base-structure as an hour long concert, whereby the score of the base-structure was left to artists on-location for interpretation. In the seventh performance all material resulted in a seven hour piece. In the eighth performance all interpretations resulted in a net-concert in their respective real locations and in virtual space.

base-structure of the score
gründler / schimana | material creation 1) freezing 2) regulation 3)
computer | data acquisition 1) analysis 2) synthesis 3)

partitur.at